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“废墟电影”杰作，列德国影史第六位。表现主义手法，尤其注重光影运用。非平衡构图，仰拍脸部特写，高对比度布光，诡秘的道具布景，刺耳的环境音，甚至还深受苏联蒙太奇影响。到处皆断壁残垣，墙里屋外，人心左右。抚慰创伤的同时，不忘抛出重笔：无法审判，可以申诉。
——豆瓣影评：shininglove
新现实表现主义
——豆瓣影评：48762
柏林残穹下，芸芸众生相，黑光白影间，爱比死更冷
——豆瓣影评：丁一
在剧本的初稿中，默腾斯真的击毙了布吕克纳，后来按苏联有关方面的意见进行了修改，理由是不宜宣传自行裁决。影片充分利用了光线的明暗对比手法（好几处的灯光投影不错，尤其是结尾刺杀上尉的那场戏，给力！），反映出主人公的复杂心理，回顾了德国的“昨天”，探讨了人与历史的关系。导演的技法加分！
——豆瓣影评：Panda的影音
The first impressions I got of this utterly destroyed town and its inhabitants were so dreadful that, despite all efforts, I could not put them down on paper. Whatever you may have seen in the newsree... The first impressions I got of this utterly destroyed town and its inhabitants were so dreadful that, despite all efforts, I could not put them down on paper. Whatever you may have seen in the newsreels gives you only a feeble impression of the real extent of the destruction of Berlin. //Hardt U. From Caligari to California: Eric Pommer's Life in the International Film Wars[M]. Berghahn Books, 1996:176-177.
——豆瓣影评：YiQiao
